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Market
Days Memories
Many observers, for a variety of reasons, thought that this
year's Market Days was the best and most successful ever. Thanks
in part to weather that was hot and sunny but not oppressively
humid, the crowds were huge on both days with exceptional eye
candy for all to see. Big kudos to Special Events Management
for getting Taylor Dayne as the entertainment headliner:
she put on a great show Sunday night for the amazing mass of
folks who filled the Roscoe - Halsted intersection.
Other weekend
observations by my peeps and me: Award for "Best Scantily
Clad Lads In Front of Their Booth/Business" is shared by
Steamworks, Roscoe's, Cocktail,
and ChicagoPride.com The new performance stage at the
Buckingham intersection offered an interesting "Chicago's
Got Talent"-esque presentation throughout the weekend Some
of the girlfriends of the handsome straight DJs spinning at Minibar
got a chuckle when their boyfriends got hit on by the boiz while
some of the fish got a little pissy and possessive The live
DJ set-up in front KAFKA wine co. was definitely missed
The general level of sloppy drunkenness thankfully seemed to
be down this year. Less visible puking! It was so nice to have
a big party event in the city: the "Space Disco" party
at Crobar with Rosabel. Big ups to Box Boy Rich for putting
on this party and a special mention to DJs Ted Eiel and Ron G.
who both had the Mezzanine Lounge rocking.
Where's Julie
McCoy?
Considering
that just about every song from my youth has been retrofitted
for today's dance floor, it should come as no surprise that "The
Love Boat" theme song has also received recent 4/4 treatment.
What is somewhat surprising is that this track is not nearly
as campy as one might imagine and features some pretty good remixes
by the likes of Craig C and Funky Junction. This new millennium
edition of "The Love Boat" is a collaborative effort
between the "pro-nude, anti-war dance activists" The
Dazzle Dancers and the British pop duo I Like Electric. Released
on the Peace Bisquit label (with recent successes by Ultra Naté,
Jody Watley and Cazwell), "The Love Boat" should be
sailing through club speakers and iPod earphones throughout the
rest of the summer.
Boxers or
Briefs?
The Groove
Line gang headed to the far northside for the August edition
of Jackhammer's Underwear Party. While we had a good
time and definitely got our collective groove thang on (thanks
to DJ Oskar who was spinning in his skivvies), this party is
no where near the level it could and should be and has far too
many fully-clothed folks dancing and prancing around the club.
I'm sure Jackhammer management will continue to transform this
monthly party (it's held every third Saturday of the month) with
more in-club inducements and hopefully the Chicago boiz will
stop being so prude, wear some clean undies, and check their
clothes. There is a time and place for hedonism and an underwear
party is it. We'll be back for the September edition (on the
15th ) to continue our "boxers or briefs" evaluation.
JES:
By Herself
Dubbed the "Queen of Rocktronica," Jes is the woman
sporting the beautifully familiar voice that's soared on trance
tracks over the years by Tiësto, Gabriel & Dresden,
and Motorcycle. She's now turned her attention to her solo career
and is back on the scene with a 14 track long-player called DISCONNECT
(Black Hole / Ultra Records). Jes wrote all the songs on the
CD and presents a truly unique melding of rock and electronica.
While tracks such as "Disconnect" and "Want My
Love" deviate from Jes' trance roots with a stronger rock
vibe, the first singles scheduled for release ("Heaven"
and "Ghost") will surely appeal to the denizens of
dance clubs the world over. Dance vocalists are often not given
their due for a variety of reasons; DISCONNECT thankfully should
ensure that Jes is given hers.
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